Discovery Award winner Leonhard Baumgartner: « The award is giving me a new and greater responsibility »

Interviews

Discovery Award winner Leonhard Baumgartner: « The award is giving me a new and greater responsibility »

  • 08/03/2023
Discovery Award winner Leonhard Baumgartner: « The award is giving me a new and greater responsibility »

Leonhard Baumgartner
(c) Andrej Grilc

The winner of ICMA’s 2023 Discovery Award is 16-year-old Austrian violinist Leonhard Baumgartner, a scholar of the International Music Academy Liechtenstein. He already won prizes like 1st Prize at Zhuhai International Mozart Competition, 1st Prize and Grand Prix at Stockholm International Music Competition. He also was Wiener Symphoniker Talent and made his debut as soloist in Vieuxtemps’ Concerto No 5 with the Wiener Symphoniker at Wiener Konzerthaus in 2022. his studies took him to the Universities for Music Graz, Vienna and Munich. His main teachers there are Regina Brandstätter since 2019, since October 2022 Dora Schwarzberg and Ingolf Turban. He answered questions of ICMA Jury members.

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Mahan Esfahani: « I have all of Bach’s harpsichord music on my fingers, I’ve played every single note of it »

  • 06/03/2023
Mahan Esfahani: « I have all of Bach’s harpsichord music on my fingers, I’ve played every single note of it »

Mahan Esfahani
(c) Kaja Smith

Iranian-American harpsichordist Mahan Esfahani (Tehran, 1984) won an ICMA 2023 in the Category Baroque Instrumental with his CD Bach: Italian Concerto – French Overture (Hyperion). Eduardo Torrico from the Spanish magazine Scherzo, member of the ICMA Jury, made the following interview with the artist.

Mahan Esfahani never leaves anyone indifferent. Neither when he plays music nor when he speaks. A student of Musicology and History at Stanford University, it was precisely there where he received his first harpsichord lessons from Elaine Thornburgh. From there he went to Boston to further his musical training with Peter Watchorn. He completed it in Prague, under the auspices of the historical Czech harpsichordist Zuzana Ruzickova. Read More →

Sào Soulez Larivière: « Concentrated listening and real communication do not take place »

  • 28/02/2023
Sào Soulez Larivière: « Concentrated listening and real communication do not take place »

Saò Soulez Larivière
(c) Clara Evens

The repertoire for the viola is limited. But it is growing – also thanks to Sào Soulez Larivière. The viola virtuoso, born in 1998, loves to arrange works for his instrument and experiment with the contemporary. His musical brilliance and versatility have already earned him several awards. This year he is the recipient of the ICMA Young Artist Award. In February, he took time for an interview with ICMA jury member Frauke Adrians (Das Orchester) in his current hometown of Berlin.

Dear Sào Soulez Larivière – you here in Berlin? I thought you would have been in Kronberg long ago.
At the moment I am in both places! Last year I completed my bachelor’s degree in Berlin at the HfM Hanns Eisler with Tabea Zimmermann, and now I’m sort of commuting between Berlin and Kronberg Academy, where I’m currently doing my master’s degree. There, too, I continue my lessons with Tabea Zimmermann. Read More →

Gabriel Schwabe: « Always look at the score with a fresh eye »

  • 09/02/2023
Gabriel Schwabe: « Always look at the score with a fresh eye »

Gabriel Schwabe

« A cellistic high-flyer with fine creative ability who has phenomenal command of his instrument »: this is how music critic Norbert Hornig described the young cellist Gabriel Schwabe five years ago. Schwabe, born in Berlin in 1988, has maintained his flying height and consolidated his excellent reputation – also thanks to the highly acclaimed albums he has recorded on the Naxos label. He has been under contract there since 2015. At the ICMA awards on April 21 in Wroclaw, he will represent Naxos, ICMA Label of the Year. Frauke Adrians, of the magazine ‘das Orchester’, ICMA jury member, talked to Gabriel Schwabe.

Gabriel Schwabe, on your latest CD you play ballads by Shostakovich and Prokofiev, among others. Do you feel particularly at home in this music?
I have a natural affinity for the 20th century – there’s a repertoire there that I have the easiest access to. But that doesn’t mean I’m locked into it. In general, I’m also very comfortable with anything romantic. Read More →

Tassilo Probst and Maxim Lando: « We feel an energy playing together that propels us to play off each other »

  • 06/02/2023
Tassilo Probst and Maxim Lando: « We feel an energy playing together that propels us to play off each other »

Tassilo Probst & Maxim Lando

German violinist Tassilo Probst and American pianist Maxim Lando, both 20 years old, won in the ICMA Chamber Music category with their CD ‘Into Madness’. Pizzicato’s Remy Franck made the following interview with the two musicians, the youngest ever to win in a category in which the competition is always particularly fierce.

First, let us talk about your musical origins. Can you share some information about how you both got started in music?
ML: My parents are both musicians and run a music school in New York. I spent every day there surrounded by music and musicians from the time I was born, so it was pretty natural that I would either love it or hate it. I loved music right from the beginning and would listen obsessively to various recordings. Read More →

Catarina Amon: Classeek is a beautiful adventure

  • 05/01/2023

The online platform Classeek keeps on growing. 5 years after its launch, it proudly undertook a whole series of developments including concerts of young talents broadcasted online. In January it has announced a new partnership with the International Classical Music Awards. Jury member Pierre-Jean Tribot from the Belgian Crescendo Magazine made the following interview with Catarina Amon, founder and CEO of Classeek. Read More →

ICMA Artist of the Year Martin Fröst: « I have always a plan »

  • 02/04/2022
ICMA Artist of the Year Martin Fröst: « I have always a plan »

Martin Fröst
(c) Jonas_Holthaus/Sony

ICMA has voted Swedish clarinetist and conductor Martin Fröst as their 2022 Artist of the Year Award for his innovative global career, his impressive discography, and his philanthropy. Alexandra Ivanoff from the Hungarian Jury member Papageno has an interview with the musician which you can read with this link.

ICMA Discovery Award winner Julian Kainrath, a violin talent from Europe

  • 25/03/2022
ICMA Discovery Award winner Julian Kainrath, a violin talent from Europe

Julian Kainrath

Julian Kainrath is the very talented violinist from South Tyrol (he was born in Merano) who won the Discovery Award in the ICMA 2022 edition: he is not even 17 years old! He will play on April 21st at the Philharmonie in Luxembourg with the Luxembourg Philharmonic Orchestra conducted by Adam Fischer (who will receive the Lifetime Achievement Award): his programme includes the virtuoso Introduction et Rondo capriccioso by Saint-Saëns. But on February 28th Julian played in Milan, with the pianist Luigi Carroccia, for the season of the Società dei Concerti: a concert that showcased the truly promising talent of this musician, whom Nicola Cattò (Musica, Italy) met for an interesting interview.

You were born in a borderland, among different languages (Italian, German and the Spanish of your Bolivian mother’s side) and cultures that are sometimes far apart. How did you live this fact? An enrichment or a difficulty?
It’s true, my mother is South American and I speak Spanish with her; my father is from Bolzano, on the border between Austria and Italy, and I speak German with him, while my parents use Italian with each other! For this reason, I am of the opinion that any approach to other cultures enriches artists, musicians. Read More →

ICMA winner Pierre Cao: « I simply enjoy getting people to sing”

  • 24/03/2022
ICMA winner Pierre Cao: « I simply enjoy getting people to sing”

Pierre Cao
(c) S.Boulard

The luxembourgish conductor Pierre Cao is winner of a Special Achievement Award  in this year’s International Classical Music Awards. Guy Engels (radio 100,7/Luxembourg, member of the jury) had the opportunity to talk with Pierre Cao.

Pierre Cao, you came to music relatively late, after you had already taken a different path professionally.
I was never meant to be a musician. After finisning my normal school, I worked in a washing machine factory. It was only when I spent a longer time in a sanatorium in Switzerland for health reasons that I decided to make music. My parents agreed, although it wasn’t easy for them because they didn’t have the financial means.
I also had a hard time in this new world for a long time. Read More →

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